Some may argue that jazz needs to be a collective art; created in spontaneity between several artists. Of all of Bill’s recordings, I am most moved by his solo efforts. This holds true for other pianists for whom I hold a deep reverence, such as Keith Jarrett. His album The Melody At Night, With You is some of the most heart-breaking playing that I’ve heard. I digress. Perhaps we should listen to Bill explain his penchant for solo playing:

He continues this thought while being interviewed by Mike Hennessey:

An exemplary recording of Bill, alone with a piano, is aptly entitled, Alone; on it, he shares some of the most emotionally vulnerable playing to date.

Here’s the discography:

Bill Evans Solo

Bill Evans (p)

NYC, September 23, 1968
Midnight Mood (2 fragments) Medley: All The Things You Are / Midnight Mood Verve 833 801-2, 314 589 319-2, 314 527 953-2

* Bill Evans – Alone (Verve 833 801-2)
* Bill Evans – Alone (Verve 314 589 319-2)
* The Complete Bill Evans On Verve(Verve 314 527 953-2)

Bill Evans Solo

same personnel

NYC, October 8, 1968
106583 A Time For Love Verve V6 8792, V3HB 8841
A Time For Love (alt. take) Verve 833 801-2, 314 527 953-2
Midnight Mood (alt. take) Verve 314 589 319-2

* Bill Evans – Alone (Verve V6 8792, 833 801-2, 314 589 319-2)
= The Complete Bill Evans On Verve (Verve 314 527 953-2)
* Bill Evans – Return Engagement(Verve V3HB 8841)

Bill Evans Solo

same personnel

NYC, October 21, 1968
106581 Here’s That Rainy Day Verve V6 8792
106584 Midnight Mood Verve V6 8792, V3HB 8841
106582 On A Clear Day (You Can See Forever) Verve V6 8792
106580 Never Let Me Go -
The Two Lonely People Verve 314 589 319-2
Here’s That Rainy Day (alt. take) -
A Time For Love (alt. take) -
On A Clear Day (You Can See Forever) (alt. take) -
Never Let Me Go (alt. take) -

* Bill Evans – Alone (Verve V6 8792, 833 801-2, 314 589 319-2)
= The Complete Bill Evans On Verve (Verve 314 527 953-2)
* Bill Evans – Return Engagement (Verve V3HB 8841

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